In Coralie Fargeat's brand-new feminist terror film The Substance, harmful societal beauty requirements are the real monsters. They (women objectification, the fingertip of "the aged," the spreading of a business built on body modification) nourish a beast of a cycle that leads Demi Moore's fading television individuality character Elisabeth https://jiahongsheng-2023.wikinstructions.com/965745/margaret_qualley_the_substance_2024